Armoires - Item 3092
Renaissance Style Armoire
down for additional photos)
The most representative color, given the challenges of photographing dark furniture, is in the image directly above.
||Width 54, Height 90, Depth 23½ (in inches)
||Width 49½, Height 76, Depth 16, (height with toupies is 97)
This armoire is one of the most beautiful examples of the 19th century revival of Renaissance style to come on the market in recent years. It is made of solid French walnut and is entirely hand-carved. For ease of transport, it breaks down into component pieces of back, sides,
doors, base and crown. There are two drawers in the base and the interior is fitted with removable shelves. Using basic stylistic elements such as arabesques of the so-called Second Renaissance stimulated by the Fontainebleau design workshops, this armoire celebrates and re-interprets
them with a pleasing, understated look that fits 21st century design preferences as well. At the center of both doors is a stylized fleur-de-lys under the feather crown motif so characteristic of the 16th century furniture makers’ fascination with costumes
native to the New World. Unlike its 16th century predecessors, however, this armoire eschews human figures or mythological illusions but rather adheres to a cleaner aesthetic of graceful curves and symmetry within an overall architectural framework. Interestingly, it uses the
common Renaissance element of gadrooning to surround the base but with perpendicular rather than angled beading. The result is a monument to the creativity and consummate workmanship of 19th century French craftsmen. Having obtained this piece when it had just come on the market
from its original owners, its condition is pristine, especially the interior. The armoire is topped by two toupies at the front corners. For another piece which beautifully harmonizes
Renaissance motifs, see chest 3090.
Boccador, Jacqueline, Le Mobilier Français du Moyen Age à la Renaissance, Editions d’Art Monelle Hayot (Saint-Just-en-Chaussée, 1988); Thirion, Jacques,
Le Mobilier du Moyen Age et de la Renaissance en France (Editions Faton, Dijon, 1998)
Owing to its construction without a central vertical member between the two doors, the armoire is adaptable to many uses in a modern home or business. Ideal uses include
as an entertainment center or for storing linens, etc.
Please note that
the difficulty of photographing items of this size can result in
color variations. We believe that the truest representation
of the color of this armoire is in the photograph at the top of